Continued from Tony Perez's Electronic Diary (May 15 - October 19, 2018) at tonyperezphilippinescyberspacebook40.blogspot.com.

At Highest Point, Kiangan, Benguet

At Highest Point, Kiangan, Benguet
2013, at Highest Point, Kiangan, Benguet, during the conservation project for the Kabayan Mummy Caves. Funded by the Ambassador's Fund for Cultural Preservation, the National Commission for Culture and the Arts, and the National Museum of the Philippines. Photo by JR Dalisay

Wednesday, January 30, 2019

_Guardian Angel_


Guardian Angel
Oil on cradled canvas
4’ x 4’
January 26 - 31, 2019

In the fourth hour after sunrise an angel leads a boy and a girl across a municipal bridge. They are leaving behind a squalid area of informal settlers on the right and are moving toward a place of lush Nature on the left.

This painting was designed to hang in the Library Director’s office at Maryhill School of Theology. A small, cardboard model of a pyramid will be hung on the right side of the painting to show how this painting was conceived, which was to view the flat surface of the painting as a three-dimensional pyramid from directly on top of it.

Imagine the painting cut into four quadrants, or isosceles triangles, then  constructing them together in the shape of a pyramid. The apex of the pyramid should be that tiny space between the angel’s left hand and the little girl’s head.

This is the auditory stimulus I used while making this painting. It became popular in the Philippines in 1964, when I was in seventh grade. My older sisters started taking me to their dance parties then. (Yes, I danced.) The lead drummer of this group passed away quite recently, so this is somewhat of a tribute to him:

https://www.youtube.com/watch?v=hIuIIqbyEIU






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